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Think, 2017.03.21 Tue, by

Over There, Right Now

The Mainland and Hong Kong aren’t the same story. And yet, at this historical juncture, the two are connected. >> Read more
Think, 2016.01.27 Wed, by

“Event Horizon—Hong Kong”: Reimagining Public Spaces

Following his solo exhibition at White Cube last year, Anthony Gormley’s work has once again appeared Hong Kong. >> Read more
Think, 2014.03.21 Fri, by

Carsten Nicolai to Light Up Hong Kong in May

An ambitious audio-visual work by Carsten Nicolai has been commissioned by Art Basel Hong Kong to illuminate the city skyline during the fair in May. >> Read more
Commentary, 2013.04.01 Mon, by

How to Christen an Artwork:
The cryptically titled “Back Home with Baudelaire” takes home the Sovereign Asian Art Prize

Girolamo Marri takes a humorous look at the mischievous role of the title in guiding or obscuring the meaning of an artwork using Hong Kong collective MAP office as an example. >> Read more
Commentary, 2013.03.02 Sat, by

News: Manifesta in Russia, Wang Chunchen curates the China Pavilion, Artshare & More

Manifesta in St. Petersburg; Wang Chunchen in Venice; Iberia Center renamed Hive Center; Launch of ArtShare; MAP Office wins Sovereign Art Prize >> Read more
Interviews, 2013.02.14 Thu, by

Spring Workshop’s Time Moderation(s)

Xue Tan interviews Mimi Brown, founder of Spring Workshop, and Heman Chong, curator of Spring Workshop’s inaugural program, Moderation(s). >> Read more
Interviews, 2015.11.09 Mon, by

Hello & Good-bye: Yeh Jen-kun Solo Exhibition

Asia Art Center is pleased to announce the opening of “Hello & Good-bye: Yeh Jen-kun Solo Exhibition” at 3pm on 14th November at Asia Art Center Taipei I. >> Read more
访谈, 2014.04.30 Wed, by

The Fiction of Elmgreen & Dragset: Interview

The art of Michael Elmgreen and Ingar Dragset treats the event and experience of exhibitions as their media—including theatrical interaction with the audience. While frequently playful, most of their work has a strong political seam... >> Read more
访谈, 2013.05.21 Tue, by

Inflating an Audience in West Kowloon

One of the core genre tools often deployed for exhibitions intended to invite public participation is, of course, participatory art. “Inflation!” wisely steers away from anything knotty and relational, instead opting for a more literal form of visitor-work interaction that also makes space for unorthodox relationships between visitors. >> Read more